Semiotic

 The Study of Signs


         Sign was proposed in the early 1900s by the Swiss Linguist Ferdinand de Saussure, and the American pragmatist Charles Sanders Peirce.

Charles Sanders Peirce             Ferdinand de Saussure
Saussure argues that there was no link between what carries the meaning, the signifier (usual the word or symbol) and the actual mean which was carried the signified for example the word bed is not actually bed, the meaning of bed could be carried by any random letters, known as signification. Peirce’s ideas about semiotic differentiates between three types of sign, Icon index and symbol, whether the sign belongs in one category or another is dependent upon the nature of its relationship between the sign itself which you call the referent and the actual meaning. 


Joseph Kosuth, “one and three chairs” (1965)


Semiotics can translate a picture from an image into words, Joseph Kosuth is an American conceptual artist, famous for his art work “One and Three Chairs” made in 1965. He places a chair against a wall with a photograph of the chair hanging to its left and to its right; he placed a dictionary meaning of “chair”. The idea for this art was not to share its beauty or to show any technical artistic skills, but to share a meaning of what we know, and what we see. Kosuth uses three separate ways to represent the basic of his work; the object, the picture and the word in which we as viewers question and investigate the nature of art which in fact is the basic fact of the chair. We are obligated to think about how these basic modes are ways of communicating information to us, are the different methods of information of representation important? Kosuth work challenges its viewers to how artwork involve their audiences.




Chandler, D (2001). Semiotics: the basics. London: Routledge. 1-296.
 

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